Category Archives: Landscape

Getting High On Weeds

I finished a new painting last week. I’m calling it Irish Pasture. Now it’s sitting on the easel in my studio for me to stare at while it dries. That’s what I do when I’ve finished a painting — I stare at it. While I’m working on a painting, if I’m doing it right, life and light flow out of me onto the canvas (or paper, or panel) and then when I’m finished I get to stand back and absorb that life and light back into my own soul.

Eventually the effect wears off, and then I’m less attached to the piece and I can sell it. At that point, ideally, I will have the next one finished and then it can be my stare-at piece. My husband said that’s disturbingly vampire-like, but I explained to him that it’s roughly the same thing he gets from reading his poetry to a live audience, so he gets it now. Runners claim to get a high (I’ll take their word for it), and this is the painter’s version.

The focal point in a painting is always the eye or eyes if there are any. This scene has several, but the only one looking directly at the viewer is the steer on the left. His eye and the effects of the morning light falling on his face are definitely the main focal point, but I painted that first so I suppose I’ve already “sucked the life” out of that bit already.

The parts that now keep catching my attention as I walk past the studio door are the weeds in the foreground. They aren’t anything special, but they are an eye magnet — at least for me. I suppose each viewer’s eyes will settle on a different detail. Or, if I did my job well, there are enough eye magnets to keep a person looking, and looking, and looking. If you can’t easily look away, then I’ve hit a home run!

Once Irish Pasture is dry and ready to sell, I am going to donate a portion of the sale price to the missionary who took the photo, my friend Korina. Korina has traveled to many places around the globe, but lately she’s been going back to Greece for a few months at a stretch (interrupted by a bit of a pandemic) in order to work with Syrian refugees, a Roma (Gypsy) school, and Threads of Hope, a ministry that helps victims of human trafficking, and otherwise making a big difference in the world. I am hoping to make her next flight to Athens much more affordable.

I Lassoed The Moon

Full Moon in the Western Sky at Dawn
18″ x 24″ oil on canvas

I hope you all had a great Christmas, and I wish you a prosperous 2019. I finished this painting on December 9th, and it’s dry enough to handle now, so I attempted to get some good photos. It’s somewhat larger than I usually paint — 18″ x 24″. I’m very happy with how the moon turned out. So happy that I plan to paint a picture of just the moon for a future painting. NASA will have to help me out with the details… literally. I found one of their moon photos on my phone and held it up next to my canvas to paint this moon and get the details roughly correct. I wouldn’t want to put my Sea of Tranquility next to my Keplar Crater — that would be just silly.

Full Moon in the Western Sky at Dawn - Detail 1
Detail 1

Here’s what I learned from this painting: 1. I need a better camera for photographing my art. My phone takes a fairly good photo, but it isn’t up to capturing the subtleties of color that are in paintings. 2. I like painting in oils, and I’m getting used to them, but the drying time isn’t helpful business-wise. By the time the paint cures and I can varnish it, and then the varnish cures enough that it can be boxed up for shipping, it will be summer. Fortunately, I will be able to display it at an art show or deliver it locally much sooner than that. (If you’re interested it’s $432 +tax — message me, even if you just want a closer look.)

Full Moon in the Western Sky at Dawn - Detail 2
Detail 2

Now I have to decide what to paint next, and I’m having a hard time with that. I think I need to just clear the table in my studio and paint away without being concerned about painting anything worthy of sharing with the world. (I wonder how many paintings Rembrandt or VanGogh tossed on the rubbish heap?) I will probably try out my new watercolor brush pens next, or maybe pastels.

I was at the Museum of the Art Institute of Chicago yesterday getting inspiration. They had some new Cezanne and Renoir works on display that I hadn’t seen before. They haven’t reassembled all of my favorite Sargents in the room that was my personal happy place last year, but some of them are now being displayed downstairs, so I was appeased. I also brought some inspiration home — two books from their gift shop — one about Rembrandt and one on Impressionist portraits. It was a glorious day of self-care… also self-indulgence at the Potbelly Sandwich Shop across the street. Their mixed berry milkshakes are heavenly.

I read that in 2019 the Art Institute will have a couple Rembrandts on loan. And at the end of May they will open an entire special exhibit of Édouard Manet works. I can’t wait to go back! Many thanks to my Sweetie for getting me a membership for my birthday again. Closer to home, I saw on Facebook that the Midwest Museum of American Art right here in Elkhart will be putting their large collection of Norman Rockwell lithographs back on display. I’m going to get a membership there and make several visits to study those. I hope you all have plans for 2019 that you’re excited about. Happy New Year, Everybody!